78. In the second place, to believe that politics in the form of imperialism bears upon The production of literature, scholarship, social theory, and history writing is by no means equivalent to saying that culture is therefore a______ or denigrated thing.
79. So it is mat the life of Christ, the text of the New Testament, which comes as the fulfillment of the hidden _____ and annunciatory signs of the Old, constitutes a second, properly allegorical level, in terms of which the latter may be rewritten.
80. Stalin's "expressive causality" can be detected, to take one example, in the productionist ideology of Soviet Marxism, as an insistence on the _______ of the forces of production.
81. _______ is the classical dialectical term for the establishment of relationships between, say, the formal analysis of a work of art and its social ground, or between the internal dynamics of the political state and its economic base.
82. The archetypal critic studies the poem as part of poetry, and as part of the total human imitation of nature that we call civilization.
83. When we pass into anagogy, nature becomes, not the container, but the thing contained, and the archetypal universal symbols, the city, the garden, the quest, the marriage, are no longer the drsirabte______ that man constructs inside nature, but are themselves the forms of nature.
84. We have suggested that it is only in the first narrowly political horizon — in which history is reduced to a series of punctual events and crises in time, to the ______ agitation of the year-to-year, the chroniclelike annals of the rise and fall of political regimes and social fashions, and tile passionate immediacy of struggles between historical individuals — that the "text" or object of study will tend to coincide with the individual literary work or cultural artifact.
85. It would be tempting, but not quite accurate, to see in them two mutually exclusive modes of thought, to hold them up as the______ between the analytical and the dialectical understanding.
86. Saussure's position has many affinities with that of Husseri, for like Husserl he was not content simply to point out the existence of another equally valuable mode of humanistic and qualitative thought alongside the scientific and______ , but tried to codify the structure of such thought in a methodological way, thus making all kinds of new and concrete investigations possible.
87. In personal or psychological terms, this methodological perception is reflected in _______, whose leitmotive — the priority of existence over essence — is indeed simply another way of saying the same thing, and of showing how lived reality alters in function of the "choice" we make of it or the essences through which we interpret it: in other words, in function of the "model" through which we see and live the world.
88. His solution to this dilemma is ingenious: one may call it situational, or even phenomenological, in that it takes into account the concrete _______of speech as a "circuit of discourse," as a relationship between two speakers.
89. The movement of Saussure's thought may perhaps be articulated as follows: language is not an object, not a substance, but rather a _______ : thus language is a perception of identity.
90. The syntagmatic dimension, in other words, looks like a primary phenomenon only when we examine its individual units separately; then they seem to be organized successively in time according to some mode of_______ perception.
Division B: The fallowing is an incomplete passage. Fill each blank with one word only. You can choose any word from your vocabulary so long as it completes the sentence both in grammar and in meaning. For each correct completion, you will get one point (10%)
Perhaps it was the middle of January in the present that I first looked up and saw the mark on the wail. In order to fix a date it was necessary to remember what one 91 . So now I think of the fire; the steady 92 of yellow light upon the page of my book; the three chrysanthernums 93 the round glass bowl on the mantelpiece. Yes, it 94 have been the winter time, and we had just finished our tea, 95 I remember that I was smoking a cigarette when I looked up and saw the mark on the wall for the first time. I looked up 96 the smoke of my cigarette and my eye lodged for a 97 upon the burning coals, and that old fancy of the crimson flag _98 from me castle tower came into my mind, and I thought of the cavalcade of red knights riding up the side of the black rock. Rather to my 99 the sight of the mark interrupted the fancy, for it is an old fancy, an automatic fancy, made as a child perhaps. The mark was a small round mark, black upon the white wall, about six or seven inches 100 the mantelpiece.
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